倭姫の宝珠の願い

倭姫の宝珠の願い
☆倭姫の宝珠の願い☆ ☆Yamatohime's - Kaleidoscope・Mirror☆
☆大宇宙の真理☆合理性を知らしめる倭姫☆
政治行政に係る権力の腐敗・偽善・悪徳・不正義・不公正を打ち払い、
主権者国民の正義と公正が尊守される社会を創建致しましょう。

【参考リンク】:
The Mirror of God's Word
“For the word of God is quick, and powerful, and sharper than any twoedged sword, piercing even to the dividing asunder of soul and spirit, and of the joints and marrow, and is a discerner of the thoughts and intents of the heart.” :Hebrews 4:12
http://www.jesus-is-savior.com/Bible/mirror.htm

THE WORD A SWORD
http://spurgeongems.org/vols34-36/chs2010.pdf
http://youtu.be/kQZulm72R3U
Hebrews 4:12
http://bible.cc/hebrews/4-12.htm
Hebrews 4:12 Commentary
http://www.preceptaustin.org/hebrews_412.htm

☆ 宝珠 
如意宝珠(にょいほうじゅ チンターマニ 梵: चिन्तामणि [cintaamaNi])とは、仏教において様々な霊験を表すとされる宝の珠のこと。サンスクリット語でチンターとは「思考」、マニは「珠」を指す言葉で、「意のままに様々な願いをかなえる宝」という意味である。如意宝、如意珠、または単に宝珠(ほうじゅ、ほうしゅ)とも呼ばれる。
http://ja.wikipedia.org/wiki/%E5%A6%82%E6%84%8F%E5%AE%9D%E7%8F%A0
http://en.wikipedia.org/wiki/Cintamani

上記掲載の画像作品:
☆ NOTE:上記掲載の奈良薬師寺の吉祥天女像の作品の画像の出典元 ☆:(Copyright © 2006~ ZIPANGU Co.,Ltd. All rights reserved.)
http://www.bb.em-net.ne.jp/~maccafushigi/mac/2.htm
http://zipangu.c.ooco.jp/sakusaku/4_3.htm

2012年12月2日日曜日

Live Japans Tsunami Caught On Camera

Live Japans Tsunami Caught On Camera



JapanDocumentary さんが 2012/02/03 にアップロード

Japan's Tsunami: Caught on Camera captures the impact of the earthquake and tsunami that devastated Japan in March 2011, using amateur footage filmed by those caught up in the disaster.

Featuring never-before-seen footage, the programme gives accounts from eyewitnesses, amateur photographers and video enthusiasts, whose initial desire to record the tsunami was quickly overtaken by the cataclysmic events that unfolded in front of them.

But they kept on filming, many while only narrowly escaping with their lives.

The eyewitness film captures some apocalyptic images of the wave's destructive power: Takayuki Saijo only just made it up a hill in time to see the town of Kamaishi destroyed beneath him; Kenichi Murakami had to run for his life, climbing a high-school fire escape while filming the carnage below; and Yu Muroga narrowly escaped death as his car (with its on-board camera) was swept away in the torrential current and then sank.

Beyond the immediate horror of the tsunami, the film, made seven months after the event, also grapples with the aftermath: the loss, uncertainty and long-term trauma faced by individuals and towns struggling to come to terms with whether they can or should rebuild their shattered communities

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